A spirtual successor to Manny Velazquez's underground independent cult horror film Savage High (2015) that is a prequel and a sequel together taking place before and after the events of 'Savage High' exploding now involving a b-movie actress's cousin Kamila Sanchez (played by Angie Velazquez) is kidnapped by a madman who will not stop until he get's his revenge upon the actress Delia Fox (played by Adriana Carradero).

Berlin in the 1920s is a vibrant metropolis. After the horrors of the First World War, people seek their fortune at parties, in glittering variety theaters and dance halls. So-called "ring clubs" dominate the world of crime. When Inspector Paul Lang finds his friend, public prosecutor Barnekow, dead in the crocodile pool of the Tiergarten, the mastermind seems clear, at least to him: the murder clearly bears the signature of Immanuel Tauss, the former head of the gangster ring "The Crocodiles". But Lang's biggest adversary, Tauss, is in prison. Together with his assistant Conrad Ruppert and his secretary, Lang sets about solving the case and encounters the unscrupulous up-and-comer Viktor Parkov and the fascinating vaudeville owner Irma Berger in Berlin's night world. Another corpse opens up a surprising twist, but Lang is already deeply entangled in his personal duel with Tauss - and himself.

Tuyul reimagines the story of the Indonesian urban mythical spirit. Young couple Daniel and Mia move into Mia's recently deceased mother's old house to save up money before the birth of their first child. After cleaning up one of the rooms, Daniel finds a bottle hidden mysteriously underneath the broken wooden floor. The empty bottle might be home to a creature that could potentially put Daniel, Mia, and their unborn child in danger.

这部电影以印度史诗《摩诃婆罗多》为蓝本进行重新演绎，从第二位般度五子之一毗摩塞纳（Bhimasenan）的视角展开叙述。

An intimate portrait of Marie Leo, a Sto:lo woman who was adopted into a Líl̓wat family as a baby. Marie’s gentle narrative of her remarkable early childhood demonstrates a deep connection to culture, land and family that continues to endure. This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.

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A man contacts the dead.

Double projection with two 16mm projectors. The images begin with two parallel screens. They consist of fragments of light flashing like bursts in the darkness. As the process progresses, each projector moves simultaneously and overlaps. The sound actively utilises optical sound. In the latter part, Lee Minhwi's "The Light of Silence" is inserted.

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